This mural was painted in 2008 in LaPaz Bolivia it measures 3 mts X 13 mts, its acrylic and oil on cement. As a journalist put it “This is Bolivia’s History in 5 min” The mural just shows how every one took turns exploiting Bolivia since the spaniards arrived.

This piece of Art Work originally was painted on Concrete 19’7” X 19’7” on the floor outside a bar. The premise was for the viewers to step on it and not be sure of their footing.

Later on this Art Work was painted with acrylics on canvas 6’ X 6” and is in a collection in Texas.

This Mural is in La Paz, Bolivia / Main auditorium at U.M.S.A. / 9’-2” X 27’-3” / Medium: Acrylic and oil on cement / 2010. This mural was an interpretation of the marriage as well as the contradictions of Western Law with Indigenous Law that exists in Bolivia.

En Homenaje a los Mártires de la Autonomía Universitaria La Paz, Bolivia / Main patio at U.M.S.A. - 6 mts X 9 mts. (19.68 ft X 29.53ft)- Medium: Acrylic and oil on cement - 2011. The subject matter: The uprising of students around the world in the late sixties onward and how it affected Bolivian life into the 70’s and 80’s living through dictatorships.

Mural / Descolonización de la Justicia Boliviana La Paz, Bolivia - 12 mts X 7 mts (39.37ft X 22.96 ft)- Medium: Acrylic and oil on stainless steel- 2012 The balance of power of the Bolivian Judicial System is getting decolonized .

Mural / Mural Hugo Davila - Educación Necesaria La Paz, Bolivia / 10ft X 59ft / Medium: Oil on cement / 2011. This mural was painted at the entrance of this High School, each subject matter that was required to graduate was represented in this mural.

This particular section was one that had to do with the Arts

Trekking Bolivia La Paz, Bolivia - 2.5 x 8 mts (8.20ft X 26.25ft) - Medium: Oil and plaster - 2012 This is a set of Murals dedicated to touristic places around the world. Trekking Bolivia is a section dedicated to places where my brothers and I did some trekking on some old Inca roads and visited Iscanhuaya Ruins on a four day journey.

Mural / Classic Murals La Paz, Bolivia / 19’-7” X 5’ - Medium: Acrylic on plaster / 2012. These are classic tourist places to visit around the world. These murals were painted for a travel Agency in LaPaz Bolivia.

These soccer players were developed from my love of pillars and my love of soccer. These players were painted in a gym at UMSA University in LaPaz Bolivia

This mural is a visual, comprehensive guide to the complicated, past of Africa and our beginning as humans. A story of humanity from its beginnings to present day occurrences. “I created a visual timeline beginning with the dawn of humanity to the rise of human civilization, through periods of resistance, oppression and celebration, The story ends with depictions of great people who helped shape the world we live in today.”

This section is dedicated to Africa, from its beginings to the great empires through out the continent. Pre Colonialism period.

This mural is a visual, comprehensive guide to the complicated, past of Africa and our beginning as humans. A story of humanity from its beginnings to present day occurrences. “I created a visual timeline beginning with the dawn of humanity to the rise of human civilization, through periods of resistance, oppression and celebration, The story ends with depictions of great people who helped shape the world we live in today.”

This section of the mural deals with the Middle Passage, crossing of the Atlantic and everything else it ensued. One third of the captives parishes parishes on this journey.

This mural is a visual, comprehensive guide to the complicated, past of Africa and our beginning as humans. A story of humanity from its beginnings to present day occurrences. “I created a visual timeline beginning with the dawn of humanity to the rise of human civilization, through periods of resistance, oppression and celebration, The story ends with depictions of great people who helped shape the world we live in today.”

This next period gives a glimpse of the epitome of oppression, the valor of resistance, and the hope of liberation and celebration. Lets speak loud and clear

These images were from the original drawings for the mural Arts and Empowerment . They got transferred onto the glass.

Cherokee Street is named after the Cherokee Tribe of Indians who were considered the most educated and civil. The Cherokee Indian is the symbol of honesty and fair dealing. That is the tradition that runs deep on this street which has a rich legacy of architectural variety and loyalty from residents nearby and now a thriving Latinx Community.

The Cherokee Street Development League commissioned me to paint a mural , which has recently received a historic marker sign for Calle Cherokee, recognizing the important cultural and economic contribution of Mexican Americans to the revitalization of the commercial corridor called Cherokee Street.

The mural shows the historical timeline of Cherokee Street and portions of the mural play homage to the streetcar and other historical landmarks.

Finally, the migration of the Monarch Butterfly is shown in a map of the Americas as a symbol of how all living things on earth do not have geographical boundaries that mother earth is for all living beings including us human beings.

This mural was created to commemorate the Annika Rodriguez Scholars Program, a scholarship program dedicated to the values of diversity, community service, academic excellence, and leadership. When designing the mural, we intentionally invoked the style of Chicanx street art to pay homage to the Latinx roots of the program and create a distinctly unique piece of campus art. While the mural was initially conceived to honor the program, it is ultimately a piece made to celebrate diversity and activism in all forms at WashU and in St. Louis.

This mural as my other murals, means becoming engrossed in the narratives, channeling the emotions of the community and moment in history the mural represents. When you do this right and with intention, the work begins to speak through your soul. You can translate the anger of injustice into the strokes of your brush and portray the color of liberation movements on a wall.

This quick 8’ X 12’ mural was done to celebrate Black History Month 2020 at Better Family Life. This mural was to summarize the Harlem Renaissance, a rebirth of African American culture through art,music, poetry, and theatre. During the Great Migration of rural African Americans to urban areas such as New York City, Black culture grew as artists and musicians found a place for their creativity to flourish in communities like Harlem. Harlem was trendy and hip during the roaring 20s, the highlight of Harlem Renaissance, and white audiences flocked to Harlem to be entertained in venues like the Cotton Club and the Apollo Theater. The main reason art and music in Harlem boomed so tremendously was not because prior to the Harlem Renaissance art did not exist, but rather because it had not been popularized and sponsored.

This mural which measures 6’H X 12”W painted with Liquitex Acrylic paints on plaster. This mural is located in Christ Is The Rock Missionary Baptist Church in East St Louis. This was a very interesting commission as my patrons wanted a more realistic view of Jesus, as a man of color, since the geographical area where he comes from is in the Middle East . I tried to portray him as a man of the earth humble but loving.

This mural will be painted in La Paz, Bolivia sometime in the near future in the new stadium that is being built in commemoration of its 100 anniversary. Painting this mural is a dream come true as I have been following Bolivar since my infancy and it occupies a good portion of my heart.

This mural is being displayed in Laura’s Back Porch. Flint Hills is a special place for Laura because it is where she passed a good portion of her childhood. The rolling hills and the vastness of the space was my inspiration for this mural

All For City Mural

“All for CITY” – “A powerful symbol of unity, fostering a sense of pride and connection among fans who saw their stories reflected on the walls of their beloved STL.” The mural is located at 308 N. 21st Street, (building is also home to the St. Louis Sports Commission), across from CITY PARK at Olive Street

“This project began in late October through a partnership with the building’s owner to celebrate St. Louis CITY SC’s incredible inaugural year and the tremendous support and passion of St. Louis’ soccer community, including our recognized supporter groups. We hope that when people drive up Olive Street toward CITY PARK, soccer fan or not, they feel a sense of pride and optimism in this spirit of a new St. Louis.

This mural stands as a tangible manifestation of a soccer city deeply rooted in the sport's rich history. I sought to convey the profound passion that St. Louisans harbor for soccer. The deliberate choice to maintain the traditional black and white design of the ball is a deliberate nod to history, a visual thread connecting the mural to the sport's enduring legacy.This mural, therefore, becomes more than a mere visual spectacle; it emerges as a living testament to the shared stories and fervor of acommunity deeply entrenched in the world of soccer.

This mural is an equation with multiple variables, resulting in subtle spaces that are visually pleasing. Exploring spaces through mathematics is immensely enjoyable. Perspective serves as my gateway to the stars, fascinating me with its ability to manipulate lines and space. It's remarkable how this tool can bend perception and create intriguing compositions. Perspective is ubiquitous; we need only to seek it out and appreciate the beauty it brings to our surroundings.